I'm Chris Mole, a 14 time Emmy winning editor and producer. Atlas Studios pairs 30 years of broadcast craft with an AI production team, so a brand can see a finished ad in days and test many versions.
Known for / Olympics / Grand Slam Tennis / HBO / CBS / ESPN / Netflix
Robot and puppy. A story spot for a home robot.
Soft serve in two minutes, zero dishes.
3D exploded view of the robot arm.
A wearable glucose sensor, shown on the arm.
The lunar rover, live action.
A software spot built around the product screens.
GPU servers, told as a 3D animated story.
Kinetic type on real product screens.
These are spec concepts made without commission, with AI assisted visuals built from each company's public materials and finished by hand. They are not official work and not affiliated with or endorsed by the companies shown. Product names and trademarks belong to their owners.
Short spots made around your own words and product, in as many versions as you want to test.
Which message, which format, which channel. Built from what your market already responds to.
Audits, fixes and content that get you found on Google and named in answers from ChatGPT, Gemini and Perplexity.
Vertical video and stills made for each platform, in your look and voice.
Scheduled publishing across your channels, so the work goes out on time.
A plain report of what was watched, clicked and worth repeating.
AI makes the footage fast. Editing makes it work. I've spent three decades cutting for broadcast, where the first seconds decide whether anyone stays. Every Atlas spot is shaped by that, not just generated.
Credits
Chris Mole, Atlas Studios, a division of MoleHole, Inc.